I don't record separate parts because I think it's better to make decisions quickly, finish the track and move on. For example, if a synth isn't cutting through enough, then I might double it with a quiet but very bright sound to make it stand out more in a subtle way or I might put a finger snap or a tambourine on top of a snare if the snare seems too dull. These days I'll often overdub one or two sounds over a recorded live take, just wherever I think the song needs more interest, or if a sound isn't quite right. There's more scope for funky accidents with jammed tracks. Once it's recorded (again just stereo), I'll usually edit heavily so you just get the good bits. Some of the tracks were done like that, but some are just live jams where I'll have a few sequences on the go (or even just one) and then just make the track by changing mutes or synth sounds on the fly.
#Ed dmx mixes software#
If I feel it's necessary, I occasionally record a part separately into the computer so I can do something to it, like using a software compressor or doing some kind of editing that's more complex than I can do with MIDI, or if I just can't make up my mind about the right level for that sound but don't want to spend too much time worrying about it because it's stopping the flow. When the arrangement's finished and the mix is sounding good, I just press record and record the track into Ableton, just a stereo mix, no separate parts. When I've recorded all the different sections I want, I'll arrange it all in the MPC.
I mix the track as I go along and add effects. For most tracks, I just start recording stuff into the sequencer, maybe some drums or a bass line first, then some melodies and chords, etc. I have a load of synths and samplers and things, all connected by MIDI to a sequencer, all connected to a mixing desk. I think it comes from people who spend their time moving rectangles around on a screen. Lazenbleep: What was your studio process for 'You exist'? What kit were you using and how did you go about building the songs?Įd DMX: I just make up tunes and play them into a sequencer, "building" sounds so clinical and cerebral. This month Lazenbleep interviews Ed DMX (DMX Krew).
#Ed dmx mixes series#
Closer ‘Taking Your Own Advice’ continues the juxtaposition of sounds, keeping with the release’s general dancey groove, video gamey bleeps and bloops atop.The latest edition of our Machine Nuggets series explores the relationship between artists, equipment and process. ‘Disco Theme’ has a funky backing that’s true to its title, but Ed cuts it up entertainingly atop, employing horn-like sounds for a slightly edgier sound, cutely paralleled by glitzy keys and shimmers. The B-side plays with retro tones but goes more IDM and vocal-less.
Proving that is that the two mixes (a dance mix an original mix) are fairly similar, but the song has enough texture to it that listening to two similar versions back to back isn’t a bad thing, and there are enough differences – with the original’s production moving it into a more modern feel – so that it merits both versions. This is a single straight out of the 80s, the would sit comfortably alongside an radio fare from the era thankfully, it’s an incredibly catchy single as well, and the lyrics, though simple rhyming couplets, aren’t overly cheeky – you can listen to it as a legit song. ‘The Game’s A-side features two mixes that play pretty exclusively into what I’m talking about: a male vocalist (Ed?) singing about ‘the game’ of life and living over a catchy, new wave beat.
#Ed dmx mixes how to#
And yet, Ed DMX knows how to make these things fun. I would definitely say I’m not a fan of 80s club techno, and I’m doubly-definitely not a fan of vocals in my techno.
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